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"David Maisel: Mining Territories of the Apocalyptic Sublime," January, 2011. Best, David. "On May 18, 1980, Mt. St. Helens erupted with apocalyptic power. It's almost impossible to picture complete devestation on this scale. ... "Immaculate Destruction: David Maisel's Lake Project. Fall 2003. Gaston, Diana. "The ground is bleeding. A ...
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David Maisel, from Terminal Mirage and The Lake Project David Maisel is represented in New York City by the Von Lintel Gallery, 555 W. 25th Street, New York, NY 10001. Additionally, Maisel is represented by four other galleries in the U.S. and abroad. Geoff Manaugh is an editor at Archinect.
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Library of Dust 86-590, 2005 Archival Pigment Print | 64 by 48 inches, edition of 1 + 1AP | 40 by 30 inches, edition of 5 + 2AP | 14 by 11 inches, edition of 3 +1AP Library of Dust 103-566, 2005 Archival Pigment Print | 64 by 48 inches, edition of 1 + 1AP | 40 by 30 inches, edition of 5 + 2AP | 14 by 11 inches, edition of 3 +1AP Library of Dust 143-606, 2005
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Through aerial photography, the interlinked series Black Maps, The Mining Project, and American Mine explore sites across the United States that have been radically and irretrievably transformed by open pit mining.
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In his latest photographic series, Desolation Desert, David Maisel brings his focus to the massive mining operations in the vast territory of Chile's Atacama Desert.The highest and driest desert on the planet, this sensitive eco-region of the Atacama is being transformed at an unparalleled pace and scale by extractive industries.
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David Maisel Exhibitions: About Time, 15 February - 30 March 2024; Winter Show, 29 November 2022 - 6 January 2023; David Maisel: The Expanded Field, 14 October - 20 November 2021; Summer Show 2021, 22 May - 26 August …
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David Maisel's photographs chronicle the complex relationships between natural systems and human intervention, often focusing on the physical transformation of the …
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Maisel's latest book, Black Maps: American Landscape and the Apocalyptic Sublime, is a retrospective of his career.It features more than 100 photographs from seven aerial projects he has worked ...
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Maisel's photographs, multi-media projects, and public installations have recently been exhibited in the Autry Museum of the Ameerican West, Los Angeles, CA and CSU Dominguez Hills, CA, both part of Pacific Standard Time 2024; ... David Maisel: Mining September 5 - October 26, 2013.
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David Maisel's passion for photographing degraded landscapes began 30 years ago, when a love for the environment pushed him to investigate extractive industries like mining. As he began his research, he soon realized there were …
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May 18, 2024 – January 5, 2025. The Western landscape is a place where the transformation of physical space involves both visualization and manipulation, where the connections between what can be physically seen and how it is visually represented are not always clear; technologies originally designed to render places visible often became instruments of invisibility and …
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The Lake Project is currently out of print. A few rare copies of the Limited Edition and the trade version are available for purchase through David Maisel Studio. The Limited Edition includes a signed copy of the book and an original signed print from The Lake Project, housed in a specially made clamshell box
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In 2007, David Maisel began work on a group of photographs called American Mine, part of a larger and older series known as The Mining Project. These images document, in extraordinary abstract swaths of color, the emergent geometries of mines along the Carlin Trend.
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The highest and driest desert on the planet, this sensitive region is being transformed at an unparalleled pace and scale by massive mining operations. Maisel's images of the Atacama are at once graphic and painterly, offering viewers detailed, open-ended information that operates on a metaphorical level as much as a documentary one.
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Maisel's overlay of his own grid atop the ones bulldozed in the desert—and the grid of the photographic format reinforced by either placement on a gallery wall or within a book that is a codex of grids—is a many-layered analog for the cartographic imperative exercised by humans in the world's deserts over millennia.
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"David Maisel: The Mining Project" at Haines Gallery. For his fifth exhibition with Haines Gallery, Maisel presents "Mining" – a selection of photographs from The Mining Project and American Mine, series never before seen at the gallery. These works consider the relationship between nature and humanity, and encompass both stark ...
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The Mining Project (Butte, MT 9) 1989. Archival pigment print, 48 x 48 inches. Press Release. Yancey Richardson Gallery is pleased to present Atlas, a solo exhibition of large-scale aerial photographs by David Maisel, on view May 17 through July 6, 2018. Comprising works from a number of the artist's major series, the exhibition explores ...
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David Maisel, The Mining Project (Butte, Montana 9), 1989, Archival Pigment Print, 2013, 48 x 48 inches, Edition of 5, Courtesy of the artists and Haines Gallery. Maisel began his aerial project in the mid-1980s, …
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This is what David Maisel sees through his camera, a contemporary version of the sublime. It was the unusual pink glow of the lakebed that caught David Maisel's attention when he drove through Owens Valley on a return trip to the San Francisco Bay Area. iv He had passed through this corridor before, but at that point, in the summer of 2001 ...
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Photographs by David Maisel. Essays by David Maisel, Geoff Manaugh, Michael Roth, Terry Toedtemeier. 108 pp, 71 color reproductions, 17"×14", casebound. Published by Chronicle Books, San Francisco. Publication Date: October 2008.
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With The Mining Project (1989), Maisel negotiated a deliberate shift from black-and-white images to color, and started to produce large-scale photographs that make greater use of abstraction.
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David Maisel's two aerial photography series The Lake Project (2001 – 2002) and Oblivion (2004) explore respectively the landscapes of Owens Lake and the Los Angeles metropolis. Owens Lake, a mostly dry glacial lake some two hundred miles to the northeast of Los Angeles on the Eastern side of the Sierra Nevada, was drained throughout the 20 th Century to supply water …
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The Mining Project © David Maisel Legislation governing mining activity in the United States dates from over 135 years ago. The 1872 Mining Law was ratified in an...
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David Maisel – Mining at Haines Gallery, San Francisco. Opening reception with artist: First Thursday, September 5, 2013, 5:30pm – 7:30pm. For his fifth exhibition with Haines Gallery, Maisel presents Mining – a selection of …
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When wildfires in California ignited in summer of 2020, and the skies filled with ash and smoke, I began to paint abstracted visions of these conflagrations – at first as works on paper, and then, shifting scale and substrate, works on linen at up to six by twelve feet.
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By Kazys Varnelis. Reprinted from Black Maps: American Landscape and the Apocalyptic Sublime, Steidl, 2013. Like all of his work, there's something disquieting about David Maisel's The Lake Project.Even as supersaturated fields of reds, greens, and blues crossed by organic patterns and regular geometries seduce us, we wonder what we are looking at.
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The Lake Project comprises images from Owens Lake, the site of a formerly 200 square-mile lake in California on the eastern side of the Sierra Mountains.Beginning in 1913, the Owens River was diverted into the Owens Valley Aqueduct, to bring water to the fledgling desert city of Los Angeles.
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The specifics of imaging this work were not entirely preconceived. Maisel's initial aerial projects were in black-and-white, but he made a dramatic shift to color for The Mining Project (1989), The Lake Project (2001–2002), and Terminal Mirage (2003–2005). Whether color or black-and-white, all of his landscape series were united in their ...
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Maisel was invited to Spain in 2013 as part of the photographic project ToledoContemporánea, in which twelve photographers were commissioned to create work about the Spanish city of Toledo as a celebration of the fourth centennial of the painter El Greco.Maisel's work in The Fall is his response to the areas between the city of Toledo, which was once the cultural epicenter of …
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